PROJECTS
DILATE ENSEMBLE
AUDIO VISUAL
LUMINEX-LA
DESCANSO GARDENS
PROJECTION & LANDSCAPE
MULTIMEDIA PERFORMANCE-->2018
INSTALLATION/SCULPTURE
1- CHANNEL VIDEO
DRAWING
DIGITAL PRINTS
CAROLE KIM, artist-in-resident
April 2018 - October 2019
culminating solo exhibition, site-specific events and community engagement
In retrospect:
It is extremely hard to encapsulate the entirety of my experience at Descanso Gardens. There were so many dimensions to my time there and so many beautiful encounters with the landscape and the community. I am still absorbing what happened. I extend much gratitude for the experience.
+++Carole
-----------------------------------------------------------
From day-to-day, month-to-month, season-to-season, the gardens are an ever unfurling site of changing detail worthy of our attention. My relationship to the gardens has grown in depth with layers of story, information, shared experience, discovery, interaction and engagement with the Descanso community and the gardens as laboratory. What I wish to share is where this trail of wonder can lead. I find expansiveness in both reveling in the sublime details (through a heightened awareness of “this worldliness”) and venturing into the unfamiliar (creating a sense of “other worldliness”).
All these observations are sifted through my interests in:
• light and its direct interactions with the materiality of the physical world,
• the joy and passion of the act of drawing as a dance with the landscape,
• an intermingled dialogue between structural geometry and organic complexity,
• the behavior of light over a spatially variegated canvas,
• the layering of the live, the real, with the illusionistic
• the ephemerality of the gesture
• a deep love of nature
2D
site-specific performances
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography2
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography3
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography3
"The seed will search..."
3 min excerpt video: https://vimeo.com/394119071
Conceived and directed by artist-in-residence Carole Kim, “The seed will search” is a multimedia performance within Descanso Gardens that furthers Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance taps into. The title is a line from the poem "The Weeping Mulberry Tree for four voices" written by John Levy for this performance.
Carole Kim, direction & live visuals
Carmina Escobar, vocals
Kozue Matsumoto, koto
Jie Ma, pipa
Paul Chavez, sound design
Roxanne Steinberg, dance
Oguri, dance
PART I: Weeping Mulberry
John Levy, poet
Eve Luckring, reader, lead
Carolie Parker, reader
Eli Rosenkim, reader
Will Salmon, reader
Meena Murugesan, videography
Theo Rasmussen, videography4
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens. Within the rose garden, the most impressive of the five Heritage Oak trees reigns supreme with a canopy that extends down to the ground. Holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman...
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
3 min excerpt video: vimeo.com/394118479
“BARK” was a 2-hr durational multimedia performance within Descanso Gardens that furthers artist-in-residence Carole Kim's ongoing investigation of landscape as a dimensional canvas for light, image, sound, text, body. In 1878, a devastating wildfire, the first recorded of its kind in LA County, swept through the region. Descanso Gardens is known for its canopy of old native California Live Oak Trees. There are five Heritage Oaks that survived this fire. Their forms speak to a gnarly resilience, persistence and perseverance that this performance tapped into.
This particular Heritage Oak is the most impressive of the five with a canopy that extends down to the ground, holding space for this night-time exploration from root-to-crown under the careful watch of Bark Woman.
Bark Woman
observes
remains
indifferent
watches
every
move
weighs
the relativity
scale of mattering
visuals:
Carole Kim
Ursula Brookbank
sound:
Odeya Nini
Laura Steenberge
videography
Meena Murugesan
Theo Rasmussen
"Carpet of Humanity," white stencil collaborative drawing by Carole Kim, Alicia Gorecki and Alistair Milne
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan
"Carpet of Humanity," white stencil collaborative drawing by Carole Kim, Alicia Gorecki and Alistair Milne
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan2
"Carpet of Humanity," white stencil collaborative drawing by Carole Kim, Alicia Gorecki and Alistair Milne
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan3
"Carpet of Humanity," white stencil collaborative drawing by Carole Kim, Alicia Gorecki and Alistair Milne
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan4
Roxanne Steinberg & Oguri, dance
"ODE" video installation
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan5
Oguri, dance
"ODE" video installation
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan6
Oguri, dance
"ODE" video installation
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan7
Roxanne Steinberg , dance
"ODE" video installation
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan8
Projection drawings in the oak grove near the gallery
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan9
Projection drawings in the oak grove near the gallery
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan10
Projection drawings in the oak grove near the gallery
--------------------------------------
"CLOSING performances"
Saturday, October 19, 7-9pm
In addition to being the last chance to see the exhibition in the Sturt Haaga Gallery, this event featured the opportunity to walk upon a collaborative white-powder-stenciled "Carpet of Humanity" in all its fragility, experience the multi-layered embodied presence of dancers within the video installation "ODE," and observe an evolving projection drawing within the oak grove near the gallery.
Joining Carole Kim in bringing it all to life with their creative mojo:
Carpet of Humanity:
Alicia Gorecki
Alistair Milne
ODE installation performance:
Roxanne Steinberg
Oguri
Live Music:
Paul Chavez
Anthony Shadduck
camera:
Theo Rasmussen
Meena Murugesan11
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.2
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.3
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.4
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.6
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.7
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.8
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.9
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.10
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.11
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.13
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.14
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.15
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.16
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.17
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.18
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.20
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.22
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.23
FORAGE workshops
Families, friend groups, young and old turned out in numbers for this series of workshops.
Utilizing foraged organic plant matter from the gardens, we created these translucent window pieces that would be illuminated from behind to reveal nature's wondrous palette of color and textures.24
